Arturia Minifreak Bundle Synth Warp + Digital Synth Textures 130 patches

video upload by LFOstore

"Arturia Minifreak available the bundle 'Synth Warp' + 'Digital Synth Textures' 130 sounds !

Buy: https://kav-sound-explorer.sellfy.sto...

'Synth Warp' Soundbank 65 patch.
Introducing the 'Synth Warp' sound library, expanding the sonic horizons of this remarkable synthesizer. Compatible with both the Minifreak hardware and VST/Standalone versions, this collection features dynamic and abstract sequences, intricate arpeggios synchronized with delay, captivating landscape textures, and classic pads. Immerse yourself in a world of Atmospheres and Soundtracks, tastefully enhanced with a variety of high-quality effects.

This library offers 65 meticulously crafted presets, each designed to inspire:

Arpeggio: Explore intricate arpeggiated patterns that evolve and mesmerize.
Sequence: Dive into rhythmic sequences that pulse and flow with energy.
Evolving Pad: Morph and transform your sounds with evolving textures.
Melodic Sequence: Create captivating melodies with rhythmic sequences.
Rhythmic Sequence: Add pulsating rhythms and grooves to your compositions.
Soundtrack: Craft cinematic soundscapes and background elements.
Ambient SFX: Elevate your productions with ethereal and otherworldly effects.
Atmosphere: Create immersive sonic environments with rich layers of sound.


Unlock new dimensions of creativity with the 'Synth Warp' library, designed to ignite your musical inspiration and take your compositions to new heights.

'Digital synth textures' Soundbank 65 patch.
Introducing the 'Digital Synth Textures' library, expanding the sonic possibilities of this exceptional synthesizer. Compatible with both the Minifreak and Minifreak V models, this collection features dynamic and abstract sequences, intricate landscape textures, and classic pads. Immerse yourself in a world of atmospheres, all tastefully enhanced with a variety of high-quality effects.

Unlock new dimensions of creativity with the 'Digital Synth Textures' library, designed to ignite your musical inspiration.

The demo tune was recorded in real time and does not contain external effects or any processing.

Made by Alexander Kav."

Roland Supercharges FANTOM Synthesizer Series

Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by

"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.

About FANTOM EX

FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.

Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.

Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.

Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."

Roland Fantom EX - Expansion In Use - Sonic LAB

video upload by sonicstate

"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.

David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."

Roland press announcement follows:

The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools

Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.

Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.

Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.

With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.

The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.

FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.

The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.

FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.

The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.

Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.

Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.

Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."

The Sound of Pure Analogue - Vintage Tone meets Modern Modular in Eurorack form

video upload by AJH Synth Official

"The Sound of Pure Analogue - Vintage Tone meets Modern Modular in Eurorack form, no compromises. This is a compilation of moments from our past videos, demonstrating the sonic power, character and flexibility of our MiniMod system modules. From the early-Minimoog based MiniMod voice with classic Transistor Ladder Filter, to the various other audio and CV processing tools and generators in our range: Each clip is taken from a full-length video, either demonstrating how to create a specific patch, a performance example, or a complete video user guide to the featured module.

Full Video Index:
00:00 Bass - From Halo to Horror https://youtu.be/VtrT93NaPts
00:26 Fat Bass Patch https://youtu.be/gBoWE7xM8jQ
00:49 Blade Runner Patch https://youtu.be/Tcts4oCyxaI
01:16 Pink Floyd - Shine On https://youtu.be/mUD1cx_FUt4
01:35 Pink Floyd - On The Run https://youtu.be/1Hr07yCtNm8
01:59 Tomita Whistle Lead https://youtu.be/gkp7lqZrat4
02:23 Classic Flute Patch https://youtu.be/ipvFLWMbb_k
02:50 Pan Flute Patch https://youtu.be/PXqvjShvFNM
03:15 Choir Sound 1 https://youtu.be/7ZtfAxBgVTY
03:45 Choir Pad 2 https://youtu.be/Zo6SKrfrALI
04:10 Ring SM User Guide Pt2 https://youtu.be/hTNaYiiTwdY
04:45 MiniMod Keyz https://youtu.be/jYBujTKv7k0
05:02 Next Phase User Guide https://youtu.be/9vzOykUTMtk
05:39 Envelope-controlled Phaser https://youtu.be/hs7qpZthGlc
06:02 Entropic Doom Percussion https://youtu.be/l17z82qy5Vs
06:26 Lunar Module https://youtu.be/89bv0dI8yw4
06:56 Sonic XV's Wave Folder https://youtu.be/pJUb-ZEddqQ
07:18 'Für Klaus' Tribute https://youtu.be/VA-Io4jVKbA
08:05 Stereo Gemini 2412 https://youtu.be/96QRXHZJSL8
08:28 Blade Runner Patch https://youtu.be/Tcts4oCyxaI
08:53 MiniMod Keyz https://youtu.be/jYBujTKv7k0
09:54 Keyz & Arps https://youtu.be/4brCk3LNUXo
10:19 Keyz & 6U System https://youtu.be/eLYCB6Rg_I4

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

4Fade - Quad VCA Mixer for Eurorack Synthesizer

video upload by NoisyFruitsLab

via NoisyFruitsLab

"4Fade is a quad, stereo, linear VCA mixer around 2164 ICs with pre listening stereo headphone path and expanding features.

It delivers clean sound and clickless mutes around quick and high quality vactrols. Still vactrols deliver a slight fade out when muting.

Each channel has a gain stage with boost for low level signals and the level can be controlled

over common eurorack voltage for further dynamics like sidechaining, or DAW automation (MIDI / USB to CV needed! )

The 45mm channel faders got a LED for indicating the level.

The cue path is pre listening, but before the gain stage. A result of keeping the circuit as clean and small as possible without adding another series of VCAs.

So keep in mind, pre listening with gain down only!

The audio inputs are normalized from L to R for use with mono equipment as well.

The sum of all channels leads into a master volume pot and gets indicated over a 10 digit VU meter display after all.

On the backside are connections for the dual send expander and the 5MX stereo mixer to get additional channels.

Together they form a 9 channel mixer with a flexible send path."

ONO-SENDAI prototype vs PO-32. Preorders ready

video upload by SPHERICAL SOUND SOCIETY

"ONO-SENDAI. Generative Groove box. [Preorder 15% discount]

Get it here:
https://www.etsy.com/es/listing/16498...

[This is a preorder offer with 15% discount over final price. Units will ship at 7-15 of feb 2024. Final look could be slighly different from the photo but quite, quite similar, changing the silkscreens and some details]

The Ono-Sendai is a synthesizer that takes the concept of the MicroFreak but utilizes the 54 modes from Braids instead of Plaits modes. This allows you to play it chromatically with a MIDI keyboard.

It transforms into a customizable drum machine that can be played in real-time using the Braids oscillators. Additionally, We have incorporated a sequencer, 2 LFOs and 2 Envelopes, significantly expanding the capabilities beyond what Braids could achieve, turning it into a complete drum machine/groove box and synthesizer all in one.

We have migrated the code from the original STM32 microcontroller to the more powerful RP2040, providing ample RAM and CPU resources to implement various features. Now, it includes an OLED screen and numerous extras. The firmware is in an 1.0 state and will keep offering free updates from the users.

ONO-SENDAI is portable synthesizer that is powered via USB C type cable and therefore can be powered via a Power Bank.

It comes comes in 3 flavors:

-As a fully assembled unit
-As a full kit that the user has to build
-As a prepolulated PCB + Programmed microcontroller for advanced builders.
The user has to source the rest of the components and build the synth.

There´s a user guide that explains every function, knob and button that you will download here. And there´s also will be a build guide for the builders here. Both are being written now"

KORG Introduces The New microKORG - A New Origin

video upload by Korg

The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.

"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.

While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."

CLICK FOR MORE »

KORG Introduces the KR-11 Compact Rhythm Box

video upload by Korg

CLICK FOR MORE »

Nord Rack 2 virtual analog synth jam, only using digital synth for all melodic sounds, with Ableton

video upload by Expanding Sound

https://expandingsound.com

I know digital synths, especially virtual analog style aren't really all that sought after. Analog or bust seems to be the mindset of most musicians these days, so when this thing came into my possession I wasn't all that excited to test it out. After breaking it out for this jam I will say I was pleasantly surprised. I don't subscribe to the idea that some pieces of gear are terrible, more so they just might not be the right tools for a specific job.

All sounds are from the Nord Rack 2, except the drums. I couldn't make a snare drum sound I liked on the synth so I just made a rack in Ableton.
There is a little delay and reverb on some patches but that's basically it, besides that it's just the rack. #nord #synth #synthesizer #Ableton #music"

Error Instruments Introduces The Passive Operator - One-of-a-Kind Passive Drum Synthesizer

video uploads by errorinstruments paul tas

Update: explanation video added to the start of the playlist above.

"The Passive Operator is a one-of-a-kind drum synthesizer that operates without the need for an external power supply. Instead, it relies on triggers, gates, and Control Voltage (CV) signals, making it compatible with Eurorack modular systems or standalone setups. Developed as part of the Tropical Noise platform, this drum synthesizer offers experimental sounds and a truly unique sonic experience. In this article, we will explore the features and capabilities of the Passive Operator, highlighting its design, functionality, and the potential for creative sound manipulation.

1. Design and Construction:
The Passive Operator is housed in a sturdy bricky format box made of solid aluminum. Its robust construction ensures durability and reliability, making it suitable for both studio and live performances. The device features different compartments, each serving a specific purpose in shaping the sound.

2. Input Compartments:
The Passive Operator boasts two input compartments, labeled "WTF in 2x." These inputs are located on the left side of the device and accept CV, gate, trigger, and even audio signals. The sensitivity of these inputs allows for precise control and modulation, enabling users to create intricate rhythmic patterns and dynamic soundscapes.

3. Mix Compartment:
The mix compartment serves as a central hub for signal routing. By connecting the mix output to the matrix, users can explore various combinations of triggers and CV signals, resulting in unique rhythms and tonal variations. The mix compartment enhances the versatility of the Passive Operator, allowing for seamless integration with other modular gear or audio equipment.

4. Patch Matrix in and Outputs:
The patch matrix provides multiple outputs for triggers and Control Voltage, expanding the creative possibilities of the Passive Operator. Users can experiment with different patching configurations, both internally within the matrix and externally to other jacks. Additionally, the matrix offers control over the potential meters, enabling users to fine-tune their sound by finding sweet spots and manipulating the tonal characteristics.

5. Customization and Expansion:
One notable feature of the Passive Operator is its ability to accommodate electronica compartments. This unique design aspect allows users to swap out compartments, effectively changing the sound characteristics of the device. Furthermore, the addition of a touchpad offers an alternative control method, enabling users to interact with the synthesizer using their fingers, adding a tactile and expressive dimension to their performances.

Conclusion:
The Passive Operator is a remarkable drum synthesizer that defies convention by operating without the need for external power. Its unique design, experimental sounds, and versatile functionality make it a standout option for musicians and sound enthusiasts. The combination of triggers, gates, and Control Voltage signals opens up a world of creative possibilities, allowing users to sculpt their own unique rhythms and tones. With its solid aluminum construction, intuitive interface, and the potential for customization and expansion, the Passive Operator is a must-have tool for those seeking to push the boundaries of electronic music production. Watch the demonstration video to see the Passive Operator in action and discover the endless sonic possibilities it offers.

Remember to check out the Passive Operator and experience the innovative world of drum synthesis without the need for power supply limitations. More demo www.errorinstruments.con
Available from 15 December"

RS060 Dr Böhm Dynamic 12/24 (Orla DSE): German EFF EHM

video upload by rejected synths

"Talking synths from Germany, quite a few companies come to mind: Waldorf, Doepfer or Vermona are popular ones still around and there are a lot more, some of them long gone like pioneering PPG. One company that hardly ever makes the list is Dr Böhm Organ. This might be down to the fact that Böhm weren’t exactly a company focused on synths at all but rather one that offered DIY kits for people to build themselves electronic organs.

Strictly speaking these organs were ‘synths’ too and when the 80s arrived, Böhm, just like companies like Sequential, Roland or Yamaha, started to utilize digital control and later digital synthesis in their ‘synths’ too, albeit utilizing interfaces more akin to traditional organs.

One other similarity to ‘real’ synth companies was that they also started to offer expander modules, that could be controlled by midi, expanding the variety of sounds while at the same time saving on space (no keyboard) and costs.

This is where today’s synth comes from. The Dynamic 12/24 was meant as an affordable way for Böhm’s customers of home owners and entertainers to expand their setup with some more organ but also other sounds like strings, e-pianos and some 80s-ish synth staples.

The technology used was taken from one of it’s electronic organs and while clearly trying to hide it (even going as far as filing the markings off the ICs) it was Yamaha FM Chips doing Yamaha sounding 4OP FM. The good thing is of course, that this is actually a great basis for a very wide range of sounds, especially as Böhm was kind enough to add user memory to enable creation and saving of your own patches. Also, editing can be done via midi and there are editors available too. What makes the 12/24 stand out from the crowd of 4 OP modules most though is the unique Böhm analog bucket brigade delay style ensemble effect, that ‘warms’ the FM sound.

Last but not least, the Dynamic 12/24s seem to be widely available and dirt cheap too, at least here in and around Germany. So grab one before they become cool, or anyone finds out they are actually the same as the Orla DSE, a synth that has been used by a guy that goes by the name of Richard David James…"

Analogue Solutions Ample Synthesizer Now Available

Analogue Solutions Ample Synthesizer -- All Sounds Ample video upload by rezfilter

"Here's a little retro track I put together using only the Ample synth from Analogue Solutions. All parts were sequenced or played live from the Ample, utilizing the onboard Patternator sequencer throughout.

Ample begs to be touched, sequenced, pinned, and played. It's a culmination of all great things from AS."

Check with the dealers on the right for availability. Press release follows.

Analogue Solutions announces availability of Ample as ANALOGUE 3 VCO PATCH PIN SYNTHESISER blending best of past and present products

SHATTERFORD, UK: after a successful soft-launch at SynthFest 2023 in Sheffield, UK on October 7, British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Ample to a wider audience as a desktop-friendly ANALOGUE 3 VCO PATCH PIN SYNTHESISER — beautifully blending the best elements of several of its past and present products to form a truly analogue modular system skilfully presented as a precision- engineered electronic musical instrument in a spacious (550mm x 262mm x 83mm) steel and aluminium case that also embraces ergonomic features such as VESA mount compliance, should desktop space be at a premium, all of which adds up to being a perfect fit for its appropriate appellation — as of November 29…

Ample adheres to Analogue Solutions’ tried-and-tested no-compromise construction formula, featuring a full rugged steel and aluminium case — no plastic mouldings here; high-quality metal potentiometers with smooth action, fully sealed against dust intrusion; high-quality knobs with spun aluminium caps; high-quality double-sided circuit boards; high-quality 16-bit DAC (Digital-to-Analogue Convertor) for stable MIDI (Musical Instrument Digital Interface) to CV (Control Voltage) conversion; stable analogue oscillators; gold-plated touch plates; plus true retro analogue voice and modulation circuits to give an authentic retro sound. Since Analogue Solutions’ innovative instruments are applauded for proudly possessing a truly vintage sound — synthesisers featuring fully-analogue audio paths with analogue LFOs (Low Frequency Oscillators) and EGs (Envelope Generators), in other words, Ample is in good company as an ANALOGUE 3 VCO PATCH PIN SYNTHESISER.

But by beautifully blending the best elements of several past and present products — namely, the sound elements of Fusebox fabricated originally as an aptly-named, three-VCO (Voltage-Controlled Oscillator) true analogue monophonic synthesiser that favourably fuses the company’s characterful vintage sound with an advanced choice of modulation and melodic possibilities in a beautifully-built box; the jack points introduced in the long-discontinued line of Concussor modular synth drum modules (themselves dating back to the time when Analogue Solutions was the third company to start producing Eurorack format-compatible modules, magical as that might sound in today’s ever-expanding era of thousands of Eurorack modules being produced by hundreds — if not thousands — of developers, both bigger and smaller); the patch pin matrix introduced in the long-lasting Vostok semi-modular synthesiser series (that knowingly nodded and winked at its Russian ‘roots’ from a visual standpoint); the lo-fi echo featured in Dr Strangelove as a small and affordable desktop signal processor (that ushered in Analogue Solutions’ so-called synthBlocks series); and last, but by no means least, the sequencer and CV touch plates introduced in Generator as a highly-versatile multi-channel analogue step sequencer — to form a truly analogue modular system skilfully presented as a precision-engineered electronic musical instrument is what really makes Ample stand out amongst Analogue Solutions’ present-day products.

Put it this way: while Ample shares all of those features from some of Analogue Solutions’ ‘greatest hits’, it still has a sound of its own thanks to the circuits on offer: OSCILLATING is handled by three analogue VCOs (Voltage-Controlled Oscillators), each providing a wealth of features and modulation choices, with the VCO3/LFO 1 legend visually highlighting that the third oscillator can easily be utilised as an LFO (with saw, square, and triangle wave modulation signals), while LFO2/SYNC has a triangle wave output to total two LFOs; the LP VCF (Voltage-Controlled Filter) section is anchored around a four-pole 24dB-per-octave low-pass filter; the VCA (Voltage-Controlled Amplifier) can be set to THRU so it is always ‘open’ (allowing Ample to be used as an effect processor); the two envelope generators — EG 1 and EG 2 — each offer full control over ATTACK, DECAY, SUSTAIN, and RELEASE; extensive modulation routing choices allow for a wide range of resultant sounds extending into percussion and ‘modular’ territory, further extended by patching with the jack sockets and pin matrix; MIDI is intentionally kept simple so users can concentrate on creating new sounds and making music, with all- important control over filter cutoff available via MIDI Velocity; patchable CV control sockets allow the synth in question to effectively be rewired to make new sounds, as well as easily patched together with external Eurorack and other modular systems; the PATTERNATOR is a vintage-style 16-step sequencer; the six touch plates each output a set voltage, so can be used to pitch notes or as modulation signals — either way, they are truly inspirational in action; the pin matrix represents a neat (and flexible) way to patch the synth; and the ECHO section provides easy access to adding a little lo-fi echo or delay.

Audio applications abound when working with Ample as a synthesiser — excelling at analogue sound effects, as well as fat basses, screaming leads, and all manner of other crazy sounds associated with analogue synthesis; an effect processor — perfect for feeding external sounds through the onboard analogue filter and ECHO sections via external audio inputs; a drum synthesiser — suited to producing electronic percussion, including cymbal, hi-hat, kick, and snare sounds; and as a modular synthesiser — partially pre-patched, but with such a wide range of modulation routing possibilities that it is almost as versatile as a full-blown modular system, and capable of producing the same types of sounds but dispensing with telephone exchange-like cabling confusion in favour of making space-saving connections with removable coloured pins, yet still providing a flexible selection of patch sockets so it can quickly be re-patched into itself or to/from external Eurorack and other modular systems.

It is also worth noting in conclusion that while Ample can be used with an external MIDI keyboard or DAW (Digital Audio Workstation), or an external CV keyboard or analogue sequencer, it is equally at home being worked with on its own using its internal step sequencer or pitch played via its six-touch plate ‘keyboard’. Whatever way anyone chooses to work with Ample, it could conceivably be argued that it is the best desktop synth of all — Analogue Solutions-wise or otherwise!

Limited quantities of Ample are already available to purchase directly from Analogue Solutions for £1,999.00 GBP (excluding tax/VAT) via its dedicated webpage (https://www.analoguesolutions.com/ample) while stock will soon be arriving at selected dealers (https://www.analoguesolutions.com/dealers).

Check with dealers on the right for availability.

Korg Electribe AmkII and Akai MPC Live 2 fun, sequencers and production machines in harmony

video upload by Expanding Sound

"I look at this Electribe I have often and think to myself I should just sell it. It is a redundancy in todays world of synthesizers. Yet every time I decide to break it out for a little bit of fun, I always wind up loving it again. Sure it isn't the deepest unit, but the two analog modeled synths sound great and the control features they put on the front end lead to a lot of fun. The Korg drifts a lot, basically anytime I've set its clock to external it winds up drifting at some point. Luckily the MPC has the midi output sequences. You set one synth per midi channel, write a sequence on the MPC and you've just breathed new life into your old Electribe. I had a lot of fun fooling with these two together, I hope you enjoy it!"

Cherry Audio Releases Pro Soloist Synthesizer

video upload by Cherry Audio

The British Stereo Collective - "Ghosts in the Machine," featuring Cherry Audio's Pro Soloist

video upload by Cherry Audio

""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.

Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."

Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge

video upload by Cherry Audio

"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."

Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic

video upload by CatSynth TV

"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.

This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.

To find out more, please visit cherryaudio.com

"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?'
virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."

00:00 Introduction
00:25 History of the Arp Pro Soloist
01:23 Overview of the Cherry Audio Pro Soloist
02:21 Original front-panel presets
08:35 Global controls
09:35 Touch Sensor Effects
16:00 Edit Mode
16:59 VCO
18:59 VCF
21:53 Resonator bank
23:53 Modulating the resonator bank with the mod matrix
26:45 Effects panel
34:46 Multi-layer mode
38:08 Factory Presets
42:18 Vintage Vibe expansion bank
43:44 Conclusion"

Press release follows.

"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.

PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.

Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.

Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.

Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.

In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.

Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.

A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.

Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."

Seuential Circuits TOM with Tauntek TOM16 extansion

video upload by ohm_studi_ohm

"The Sequential TOM was already a great drum machine at the time it was released, with a lot of nice features, especially regarding MIDI implementation. You could play, record, synchronise the machine over MIDI and adjust sample direction, volume, pitch and pan of every sample either on the device or over MIDI, in real time and for every step ! That gives you lots of possible variations. Not many drum machines could could achive that at the time.

And now thanx to another amazing engineering by Tauntek you can have 16 kits in the instrument at all time, without the need to switch cartridges. And even more important: you can swap the internal kit samples as well as the cartridge ones, enabling for any combination of 2 kits you wish. This is impossible with cartridges or other upgrade available, and only possible thanx to Tauntek firmware. And that makes a huge difference. Note that you can only have 15 sounds at hand not 16. The 8th pad from the cartridge layer is always a trigger out message and won't trigger a sound, even if the loade kit has 8 sounds.

You can even make your own kits if you have access to an Eprom programmer.
Check Tauntek dedicated page for more info (http://www.tauntek.com/TOM16cart.htm)
This unit also had its RAM maxed out, expanding the internal 8k to 32k and thus bringing the stock 2,300 notes capacity to a whopping 10,400. And believe me you run very quickly out of memory if you make some complex patterns with different variations.

So here is the demo, i didn't make patterns demos for each of the 16 kits but you'll get the idea, and I didn't go too deep into external MIDI playing/programming but bare in mind you can record instrument tuning pitch, volume, pan and sample direction (reverse) for every instrument on every step.

Here is the timeline:
00:00 stock kit patterns
02:28 TR808 kit patterns
03:56 TR909 kit patterns
05:08 TR606 kit patterns
06:25 CR78 kit patterns
07:17 sound preview of all the kits included in the box
11:18 quick realtime patterns programming using external pads

list of the kits included in the TOM16:
SCI Internal
SCI Basic Percussion
SCI Contemporary
SCI Latin Percussion
SCI Special Effects
Drumware Rock Drums
Drumware Techno Drums
Drumware Orchestral
Drumware Percussion 3
Drumware Hippefex
Drumware Analog Drums
Roland TR808
Roland TR909
Roland CR78A
Roland CR78B
Roland TR606"

EPIC SYNTHESIZER MADE IN THE USSR. FORMANTA EMS-01

video upload by Alexander Obukhov

"The combined electro-musical instrument "FORMANTA EMS-01" integrates two instruments: a polyphonic organ and a monophonic synthesizer. It is designed for performing musical compositions of any genre and obtaining various sound effects for film scoring, theatrical performances, and studio recordings.

The organ features a five-octave keyboard, six fixed sound timbres, frequency vibrato with adjustable delay, decay adjustment, and a stereo phaser (common for both the organ and the synthesizer). The vibrato delay scheme only starts with each subsequent keypress after releasing the previously pressed keys. In "legato" play, the vibrato delay scheme does not activate.

The synthesizer includes:

A three-octave keyboard.
A modulator with modulating voltage supplied to the frequency modulator (FM), width modulator (WM), filter, and amplitude modulator (amplifier).
Generator 1, generator 2 – wide-range generators with various waveform oscillations.
Mixer for summing signals from generator 1, generator 2, noise generator, external source, and ring modulator.
Filter for dynamically and statically changing the spectrum of the summed signal from the mixer output.
Amplifier to impart characteristics typical of various signal envelopes to the sound.
Clear separation of the synthesizer panel into the listed modules, their mutual arrangement, facilitate orientation when creating different timbres.

Additionally, the synthesizer can control another identical synthesizer. To achieve this, connect the control output connector of the controlling synthesizer to the control input connector of the controlled synthesizer using a connecting cable (according to the electrical schematic diagram of CONTROL INPUT and CONTROL OUTPUT connectors, see Appendix 3). Press the CONTROL - button on the controlled synthesizer (the LED should light up). In this case, the control panel of the controlled synthesizer is disconnected from its keyboard and connected to the keyboard of the controlling synthesizer. Thus, one musician has at their disposal two identical control panels with one keyboard, allowing for two fully parallel synthesis channels, greatly expanding the possibilities for creating sounds.

The instrument provides the option to connect stereo headphones. When adjusting the instrument's volume with the foot pedal from maximum to zero, the signal to the headphones remains unchanged on all instrument outputs, allowing for preliminary control of the timbre through headphones before sending the signal to power amplifiers. When the PHASER is activated in the synthesizer or organ channel on the STEREO L and STEREO R jacks, a stereo signal can be obtained. When the PHASER is disabled in both channels, the MONO mode will be implemented.

Technical specifications include power supply from an AC voltage of 220 ± 10 V, frequency of 50 Hz, power consumption not exceeding 75 V A, and operational capability within specified temperature, humidity, and atmospheric pressure conditions. The relative frequency drift over 4 hours of continuous operation is no more than +0.5%. The organ keyboard spans 5 octaves, and its sound range goes from F sharp (43.65 Hz) in the control octave to E in the third octave (1318 Hz). The synthesizer keyboard spans 3 octaves, and its sound range spans 9 octaves. The tuning range for both the organ and synthesizer is +6% (+0.5 tones), with a smooth detuning range of generator 2 relative to generator 1 of at least 1 octave. The frequency cutoff of the filter can be tuned in the range of 100 to 1500 Hz. The dynamic range is not less than 55 dB, and the weight does not exceed 40 kg. Engineer: Alexander Reunov, Designer: Andrey Petukhov, Produced by: KRYZ 'Formanta.'"

Synthfest UK 23 New Videos

video uploads by sonicstate

Playlist:

1. Synthfest UK 23: MyVolts - Nifty USB Power Solutions

At Synthfest UK 2023, we caught up with Caroline from MyVolts, and they've added to their panoply of useful power solutions for musicians. MyVolts showcased their new product, the Alchemist power distribution hub, which harnesses the versatility of USB-C to deliver various voltages from 5V to 20V. This means you can power a range of equipment, from vintage synths to modern gear, with one device. They've also taken their USB power innovation to the next level with a step-up 12V power tip, allowing users to draw 18W from USB to power gear like the Electron Analog Four on the go. MyVolts aims to simplify power management for musicians, addressing issues like earthing and noise, and they're actively seeking input from the community to fine-tune their solutions.

In addition to the Alchemist power hub, MyVolts will be releasing their own power banks, USB-C power cables with wattage indicators, and a range of power tips compatible with various voltages. This expansion means users can power a wide range of devices efficiently and conveniently. These products are expected to be available around February or March. MyVolts encourages you to fill out their survey to help them better understand and solve the unique power challenges musicians face.

https://myvolts.co.uk/

2. Synthfest UK 23: Rides In The Storm - SED CSM Synth Voice

At Synthfest UK 2023, we caught up with Uwe from Rides In The Storm to get a glimpse of their upcoming modular synth voice module, the SED CSM. This module is a powerhouse of sound design possibilities, offering a wide range of features packed into a single unit. With two oscillator sections, three waveform options, pulse width modulation, and a wave folder, there's plenty of sonic flexibility on tap.

The SED CSM also includes a robust mixer section, a ring modulator, wave folder, noise source, and an external input, expanding its sound-shaping capabilities. Uwe demonstrated how the module can be used for lush soundscapes and dynamic modulation with its various features. SED CSM offers envelope generators with loopable modes and versatile LFOs and filter options.

SED CSM Price: around £390

3. Synthfest UK 23: Analogue Solutions - Ample Desktop Pin matrix

We returned to the Analogue Solutions booth to chat again with Tom who showed us the second synth he’s released this year, Ample. Ample is a 3 VCO synth which combines some of the greatest bits of other Analogue Solutions synths, including a patch pin matrix similar to the Vostok, a sequencer taken from the generator, an interval generator similar to that on the Fusebox, and a 24dB filter akin to that of the Pro One. It even has the same delay circuit from the new Maximus.

There are 3 types of pin for the pin matrix with resistances of 0 ohms on the black pin 10k ohms on the red one and blue giving a value of 100k, which allows for more flexibility in attenuating the signals you patch. Tom told us that Ample is particularly suited to percussion, with its snappy filter, and various clock sources available, and though Ample is in a desktop format, Tom has given us plenty of space between the controls so no accidental knob bumping can occur.

Available October 23

Ample Price: around £2000 plus vat

4. Synthfest UK 23: Expert Sleepers - Analogue Modules

At Synthfest UK 2023, we had the chance to chat with Os from Expert Sleepers, known for their versatile digital modules. However, Os has been exploring the analog side of modular synthesis and has introduced a range of eight analog modules.

Among the analog modules, Os showcased a squelchy filter, oscillators with unconventional sine wave cores, and an intriguing octave fuzz effect. He emphasized that these analog modules offer a different approach to sound generation and signal processing compared to their digital counterparts. Os also pointed out that once an analog module is designed and built, it's a finished product, offering a sense of completeness that's distinct from the continuous updates often associated with digital modules.

Expert Sleepers Analogue modules Prices: from £159

5. Synthfest UK 23: Yamaha - DM3 - Super Compact Digital Mixer

At Synthfest UK 2023, we caught up with Chris from Yamaha to take a look at their latest offering, the DM3 digital mixer. This compact 16-input mixer packs some impressive features into a small footprint, making it suitable for a variety of applications. With a focus on pro audio and audio versatility, the DM3 boasts brand-new microphone preamps inspired by Yamaha's high-end CL and QL series, ensuring top-notch audio quality. Operating at 96 kHz, the DM3 offers pristine audio resolution. We have to admit, we're all Gassing for this one...

The DM3 boasts a touchscreen interface, complemented by touch-and-turn knobs for tactile control. This innovative combination allows users to efficiently navigate and control the mixer's parameters. The DM3 can also serve as an audio interface, providing 18 in and 18 out over USB, making it an excellent choice for recording and streaming applications. With a compact and portable design, this mixer is versatile enough for live gigs, corporate events, podcasting, and studio work.

DM3 Standard Model Price: Around £1,500

DM3 Dante-Enabled Price: Around £2,000

6. Synthfest UK 23: Tone Science - Triple Cross - Chance Delay

At Synthfest UK 2023, we caught up with Ian Boddy from DIN Records, known for his prolific work in the electronic music scene. While DIN Records is celebrating its 25th anniversary next year, Ian has expanded his creative endeavors with the release of two modules under the sub-label Tone Science in collaboration with AJH Synth. The Triple Cross module offers versatile signal manipulation capabilities, enabling crossfading, morphing, panning, with non-synchronous LFOs and DC-coupled outputs. The Chance Delay module introduces a unique concept of probability-driven gate delay. Musicians can control the likelihood of triggers passing through, allowing for rhythmically intricate and ever-changing sequences. These modules are designed to enhance the performative aspect of modular synthesis, providing musicians with dynamic tools for evolving soundscapes and rhythmic complexity.

Triple Cross Price: £260

Chance Delay Price: £175

7. Synthfest UK 23: 1010 Music - Bluebox Eurorack Edition

At Synthfest UK 2023, we had the opportunity to chat with Steve from 1010 Music about their latest creation, the Bluebox Eurorack Edition. This module was born out of customer demand, as users of the original Blue Box desktop unit clamored for a Eurorack-compatible version. The Bluebox Eurorack Edition packs all the power and versatility of the desktop version but with a few key differences. It offers mono inputs and outputs that can be combined into stereo, six CV inputs for mapping to various parameters, and two dedicated USB-C ports—one for MIDI and the other for USB audio. This means you can connect your Blue Box to a Mac, PC, or iPad, send and receive audio tracks, and still record all 12 tracks, plus a master track and two effects sends, separately on a micro SD card. An upcoming firmware update will also bring stereo audio in both directions to the Blue Box Desktop Edition, offering even more flexibility in routing and recording. With its compact 30 HP size and thoughtful design, the Bluebox Eurorack Edition also offers a clock output bridging the gap between hardware and software seamlessly.

Bluebox Eurorack Edition Price: $699

8. Synthfest UK 23: Nonlinear Labs - C15 - Software Updates

At Synthfest UK 2023, we had a conversation with Tim from Nonlinear Labs, the creators of the highly expressive C15 synthesizer. Tim shared some exciting updates that have recently been implemented with the inclusion of LFOs via looping envelopes providing musicians with more sonic versatility. The C15's unique concept, based on a two-operator FM synthesis engine, remains intact, but these new LFO capabilities expand its sonic palette. Tim also showcased the expanded key tracking options, which can stretch pitches to create unique tonal textures. Furthermore, he highlighted the new twin-engine feature, which allows for cascading delays and creating captivating stereo soundscapes. Tim also hinted at future developments that owners of this expressive synthesizer can look forward to.

C15 Black Price: 4,300 Euros (incl. VAT)

C15 Cherry Wood Price: 4,750 Euros (incl. VAT)

9. Synthfest UK 23: Kenton - LNDX Midi Line Driver

At Synthfest UK 2023, we caught up with John from Kenton Electronics to check out their latest offering, the LNDX Line Driver, a handy solution for extending MIDI signals over long distances. Designed to address the challenges of maintaining stable MIDI connections in large venues and studios, the Line Driver utilizes Cat5 cables to transmit MIDI signals up to an impressive 500 meters. It's an ideal tool for live gigs in massive stadiums or situations where the control center is far from the performance area. The Line Driver features LEDs to monitor both the incoming and outgoing MIDI signals, providing essential feedback for troubleshooting and ensuring signal integrity. This straightforward and robust solution adds reliability to any MIDI setup, whether it's in the music industry, broadcasting, or even unconventional applications like flight simulators. With its opto-isolation and straightforward connectivity, the Line Driver is set to become an essential tool for professionals seeking rock-solid MIDI signal transmission over long distances.

LNDR pair Price: £127.92

10. Synthfest UK 23: Sweet Discrete - Synth Panel Restoration

At Synthfest UK 2023, we had a chat with Craig from Sweet Discrete, a company specializing in unique synth restoration and custom creations. Craig showcased their latest endeavor, which goes beyond their well-known synth overlays. Sweet Discrete has taken on the ambitious task of restoring classic synths like the Jupiter 8 to their former glory. These aren't just simple restorations; they're meticulous, artisanal processes, involving lead loading to remove rust and imperfections, followed by precise silkscreening. What's more, Sweet Discrete manufactures exact replica shells for various synth models, offering three versions for the Jupiter 8 alone. They've even delved into MIDI mods for the Jupiter 8, bringing modern convenience to these vintage gems.

Beyond their cosmetic work, Sweet Discrete is exploring the possibility of delving into electronics and design for synthesizers. With a keen focus on quality and precision, they're making a name for themselves in the world of synth restoration and custom solutions. To learn more about their offerings and explore the range of products, visit their website

See the SYNTHFEST UK label for more coverage of this year's event.

Synthfest UK 23: Analogue Solutions - Maximus - 8 Voice Monster

video upload by sonicstate

"At Synthfest UK 2023, we caught up with Tom from Analogue Solutions who gave us our first hands-on look at the Maximus Analog Synthesizer. While it might not be as colossal as its predecessor, the Colossus, the Maximus still packs a punch. This beast features 8 individual voices, each with its own sequencer, giving musicians the flexibility to craft a wide range of sounds, from lush pads to percussion elements. Maximus employs a vintage-inspired approach to tuning, with no central control, harking back to the 1970s ethos of hands-on control. While it is capable of huge polyphonic patches, Tom's vision for the Maximus is to offer musicians the ability to create diverse sequences and utilize the voices independently, allowing for rich sonic exploration. With its voltage-controlled filter and multi-mode options, it's clear that the Maximus draws inspiration from classic analog synths like the Oberheim SEM. Additionally, it boasts a five-octave keyboard with aftertouch and a unique touchplate with triggering and flexible CV capabilities. Analogue Solutions has embraced a normalization approach, making patching a breeze, while also providing the option to switch out circuits for advanced sound design. The Maximus also offers delay and spring reverb effects, further expanding its sonic palette.

With the first production run already sold out, tom is busy crafting the next batch and the Maximus should become available again in November 2023.

Analogue Solutions Maximus Price: £22,500"

You can find additional Analogue Solutions Maximus posts here.

Melodic Randomness: Chance Delay & Dual RVG (Eurorack Probability & Random CV for Generative Patches)

video upload by AJH Synth Official

"Visit AJH Synth @MachinaBristronica (UK) Saturday 30th. Experimentation with using 2 random event & voltage generator modules within a melodic, sequencer-controlled, modular synth performance. Randomness/probability/chance can form the backbone of a generative music patch, but also in more manually controlled situations, and are a great companion for step sequencers.

Here a purely analogue step sequencer is used, with the time variation function of the Dual RVG serving as the master clock, and the Chance Delay adding probability to each step occurring. In the previous video the Chance Delay was randomly passing the gate signals from a sequencer to the synth voice it was controlling, so some steps would be missing. This time the module is placed before the sequencer, so that all steps will occur, in the correct order, but randomly. Since the gates it is receiving is from the master clock, all of the sequencer steps will remain in time with the music.

The Dual RVG also simultaneously produces 2 random control voltages for each clock pulse, and so I'm using one of these to modulate the frequency of the Entropic Doom, which I'm using to generate a simple percussive sound. The new Triple Cross module is also featured here, and cross-fades between 4 pitched drones, forming a melodic chord, but with 2 separate LFOs controlling the cross-fading, so that the mix between the 4 notes/sounds is constantly changing.

2 of the VCOs from the drone sound are passing through the Wave Swarm, creating a buzz of additional sawtooths to thicken their sound. These 2 are heard through the Fixed Filter Bank 914 later on, which creates a more choir-like timbre to accompany the output of the Triple Cross. The Sonic XV is used as both a filter and a wave-folder for much of the melodic sequence, where it is at times accompanied or replaced by the same VCO passing through the Ring SM and then Transistor Ladder Filter into Low Fat VCF.

Come see and hear the modules this weekend at: https://machinabris.wpengine.com

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Video by @DreamsOfWires"

AJH New Module & Melodic Performance: Chance Delay, Wave Swarm, Gemini 2412, Fixed Filter Bank 914

video upload by AJH Synth Official

"A melodic track performed using a sequencer with the new Chance Delay module during the opening section. It also uses the Wave Swarm, Gemini 2412 and Fixed Filter Bank 914 together to creating backing chords/drone. The melodic sequence sound is just a single VCO going into the Ring SM, which adds a -1 and +1 sub/octave generated from the incoming VCO, and some white noise via its mixer.

Reverb and dual delay is added in a DAW.
Turn on subtitles for a commentary/patch explanation.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

MiniMod Keyz & 6U Full System - Keyboard Split & Arpeggiator Sequencer mode melodic performance

video upload by AJH Synth Official

"Testing the keyboard split and sequencer mode on the Niftykeyz controller as part of the MiniMood complete Eurorack synth system, also controlling a 6U Full System.

Both these systems are based around the 3-VCO MiniMod voice, which is a re-creation of the original R.A Moog version of the Minimoog, so they can sound huge. Both have the Ring SM, allowing a further 2 sub-octaves to be added to the sound, with substantially more mixing capacity, so being able to control both from the same controller provides great scope for performances.

The 6U system is available on a Doepfer vintage-look case (not pictured here - this was a custom build), and all feature the very powerful Gemini 2412 dual, state-variable, voltage-controlled filter based on the VCF from the excellent, vintage Oberheim SEM (Synthesizer Expander Module).

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Video by @DreamsOfWires"